
‘Lewis Carroll, Alice’s Adventures in Wonderland’ (Bell, 2018)
Tutor feedback on ethics form
I identified 1:1 interviews with current UAL MA students (graduates of the Graduate Diploma Textile design) as the method for my data collection ‘Interviews are a common and worthwhile technique for gathering data, useful in many research projects’ (Kara, 2015, p.82). Lindsay Jordan’s ‘Ethical Enquiry Form: A worked example’ had been shared with us and I committed to a target of 15 participants to interview, this was the same number in Jordan’s sample study. ‘Interviews are time-consuming, thus in a (short) project you will only be able to interview a relatively small number of people’ (Bell, 2018, p. 210). However, I was interested in the creative potential of the materials which interviews can produce ‘Conducting interviews is always a creative process, because interviewer and interviewee work together to create meaning’ (Hollway, 2000, p.11).
It took me some time to put together my ethics and consent forms and what was submitted was approved quickly with a couple of amends e.g., clarifying all data was anonymous and timelines for withdrawing from the study. Frederico commented that he felt that the project was well underway with the different steps of the research and the ethical considerations the research may elicit having been looked into. However, he did highlight that I would need to think about my Action Research Cycle intervention, whether this was to be implemented during the unit timeline or afterwards. ‘Research as an activity is suffused with uncertainty, uncertainty is closely linked with creativity’ (Bell, 2018, p. 10). Significantly, I wasn’t clear on what the intervention would look like or when it would be implemented.
Interviews
McKinney argues that in many ‘post-colonial contexts, we continue to implement language policies that have clear discriminatory effects (and) despite our (institutional) principles of non-discrimination and redress of past inequalities’ (McKinney, 2019) my research was increasingly highlighting this to be the case with our approach to referencing at UAL. The students who I was interviewing were talking about the difficulties they have in referencing texts from their own language aswell as seemingly minor problems around identifying authors first and surnames, which can become time consuming and confusing. Furthermore, I was becoming increasingly aware of the problems with my own data collection and the contradictory position, I was presenting ‘Traditional research methods, such as surveys, interviews and focus groups, are rooted in Western colonial cultural ways of knowing’ (Gobo, 2011, p.423). I realised that although the interviewees were comfortable with me (I had previously been their Course leader) and were confident in talking to me openly I was not entirely avoiding the ‘interviewer effect’. I had determined to adopt a neo-positivist approach to interviewing, however on occasions it was difficult to remain neutral and not deviate from the structure of the interview. Despite interviewing a small number of participants (16 in total) I was gathering a lot of data and finding it difficult to identify how to analyse and present it appropriately. It was as Kara describes ‘messy’, ‘when we present research, it is not possible to reveal everything about that research. We can show that research is messy and complex, but we cannot show all the mess or every facet of the complexity’ (Kara, 2015, p.141).
ARP Intervention
The ARP workshops and peer group tutorials have been essential for the development of my project and helping me to unpick my research ‘mess’. A timely conversation with a peer led to a meeting with an IP specialist within the UAL Careers and Employability team who was interested in the project. We are now developing a workshop together for UAL fashion and textile students as the intervention. Dieffenbacher argues that the ‘moodboard’ used by fashion and textile students to collect images for inspiration facilitates the act of appropriation. Image referencing is discussed during my interviews and students responded insightfully, determining a theme. It is exciting to be able to take the research back into the discipline as a tool for students.
References
Alonson, L.; Le, K. (2020) The Language Warriors: Transcending ideologies on bilingualism in education. Action Research 0(0) 1–21. Sage.
Alvesson, M. (2012) Views on Interviews: A Skeptical review. In Interpreting Interviews. London: Sage. https://methods-sagepub-com.arts.idm.oclc.org/book/interpreting-interviews/n2.xm
Bell, J.,Waters. S (2018). Doing Your Research Project : A Guide for First-time Researchers, McGraw-Hill Education, 2018.
Dieffenbacher, F. (2018). Fashion Design Pedagogy: Is Fashion Education guilty of contributing to the problematic discourse around cultural appropriation?
Gobo, G. (2011) Glocalizing methodology? The encounter between local methodologies. International Journal of Social Research Methodology 14(6) 417– 37.
Hollway,W., Jefferson,T. (2000) Doing qualitative research differently: free association, narrative and the interview method. London: Sage.
Kara, H. (2015) Creative research methods in the Social Sciences: A practical guide. [electronic resource]. Bristol: Policy Press. https://ebookcentral.proquest.com/lib/ual/detail.action?docID=6193498
McKinney, Carolyn. (2019). Researching Language Ideologies. Qualitative topics in language teacher education. Routledge